Gary Snyder: Riprap and other poems (1959)
Agenda for analysis:
Lyric personae: “I” “You”, and 3rd person entities
Omniscient/uiversalist point of view vs. local insights
3rd person lyric personae - individuals and groups
American drivers
(Sick) Women
Stylistics/Diction: Very little use of metaphor
Almost no direct address/apostrophe
Little use of repetition structures
Historical references
Intertexts
Thematics: Work
Place: forests, mountains, countryside, occasionally a city
Poetry
Roads
Animals and plants
Themes: Belief in the simplicity of things
Questing/finding
Identity/community
Holiness
Genre: Short vignettes, haiku-like poems
Occasional travelogue
Unrhymed poetry
Incantation (to/of nature)
Nature writing
Manifesto
Contexts: Belief
Autobiography
Oriental influences
Rallying point for identification, culture hero
Ideas for essays:
Gary Snyder: Riprap and other poems (1959)
Describe the speaker of the poems. How is the speaker's position in relation to the places, states of mind and people he speaks about? In relation to the reader?
What is the effect of Snyder’s lyric style?
[Words to characterize it: simple, commonplace, natural, Eco-conscious, animalistic, Shamanic, celebratory, Zen Buddhist, Satori-driven, haiku-like, etc.]
Find and analyze more examples of Snyder’s characteristic micro-level stylistics.
Consider Snyder’s sense of flow.
Consider the poems’ use of location (esp. the Sourdough Mountain poems) and techniques of depicting motion (esp. “Night Highway Ninety-Nine”).
Consider the religious themes in the poems, and their linkages with everyday (American) life.