This
course is an interdisciplinary examination of the cultural texts
surrounding the concept of the Robinsoniad.
The notion of the
Robinsoniad is curiously alive in today's culture,
not
only because of reality shows, popular movies and other fictions on the
castaway theme, but also because of a deeper cultural anxiety of and
fascination with isolation. This course proposes to examine a number of
cultural texts that are manifestations of these dynamics and the
tensions between isolation/self-reliance; nature/civilization; savagery
and privitivity/education and scientific knowledge, subaltern/coloniser
etc. etc.
Read an interesting article about the pervasive presence of the
Robinsoniad as a cultural text:
Frederick
Zackel: Robinson Crusoe and the Ethnic Sidekick in Bright Lights Film Journal
In a course such as this some texts are unavoidable,
of course primarily Defoe’s original novel,
Robinson
Crusoe...
Other texts will include
J.M. Coetzee: Foe
as a postcolonial/postmodern version of the original palimpsest; and
Adrian Mitchell’s play Man Friday,
where Friday writes back to the Empire...
Group Robinsoniads
detailing young folks’ adventures/horrors in the
South seas, such as Marianne
Wiggins’ John Dollar and
William Golding’s Lord of the
Flies...
Movies such as Castaway and
other, more direct Robinson adaptations (such as the Pierce Brosnan
film of Robinson Crusoe)...
Robinson poetry, f.ex.
Elisabeth Bishop, Derek Walcott and others...
Robinson parodies...
Reality shows...
The
statue of Alexander
Selkirk in Lower Largo, Scotland
- Selkirk was the original
inspiration for Defoe’s Crusoe
Course plan:
7 /2 - 10.00 - 11.45 -
Andrew Fish:
The paradigm - Daniel Defoe: Robinson
Crusoe (1719) pp. 1-150 , plus “Contexts” pp. 227-245 (all page numbers
refer to the Norton Critical Ed., which you can buy at
Centerboghandelen)
- If for some reason you
want another version of the text (for free!) you can download it here: (on-line version)
(on-line
version 2)
21/2 - 8.00 -
9.45 - Andrew Fish:
The paradigm - Daniel Defoe: Robinson
Crusoe (1719) pp.
151-238, plus various critical texts (optional) pp. 246-432 (Norton
Critical Ed.)
21/2 - 10.00 - 11.45 -
Camelia Elias:
Female
Robinsons: Unca Eliza Winkfield: The Female
American (1767) (Session
description) (Slides)
(Winkfield's short novel is
in the course master box for copying)
28/2 - 10.00 - 11.45 - Bent
Sørensen: Postmodern
interventions - J.M. Coetzee: Foe
(1986) (Read
a paper on this) (Read these short notices
as preparation)
(You must buy
Coetzee's novel from Centerboghandelen)
7/3 - 10.00 -11.45 - Søren Balle:
Robinson poetry: Elisabeth Bishop’s “Crusoe in England”
and
Derek
Walcott’s “Crusoe's
Island” and others
(Read a paper by Rajeev Patke
on this)
7/3 - 12.15 - 14.00 - Lissi Daber: Postcolonial
Robinsoniad: Writing
back - Adrian
Mitchell: Man
Friday (a play
(1974) and a
movie (1975)) (Excerpts are in the course
master box)
14/3 - 10.00 - 11.45 - Jens
Kirk: Robinson
for the
21st Century: Tibor Fischer's Voyage
to the End of the Room (2003) (Info)
4/4 - 10.00 - 11.45 - Steen Christiansen & Torben Poulsen:
Robinson
films/adaptations/remediations
+ Reality
Robinson and the Mock-documentary (Read this paper as
preparation)
4/4 - 12.15 - 14.00 - Steen
Christiansen &
Torben Poulsen: Analyses of Robinson Crusoe on Mars & Enemy Mine; Robinson Ekspeditionen & Castaway 2000
11/4 - 12.00 - 13.00 - Torben
Ditlevsen:
Group
Robinsoniads - R.M. Ballantyne:
Coral Island, William Golding:
Lord
of the Flies (1954)
and
Marianne
Wiggins: John Dollar
(1988) (No readings for this lecture!!)
PS: The Nobelprize.org site has several links
worth pursuing, including a “Lord of the Flies Game”
11/4 - 13.00 - 15.00 - A screening of Man
Friday (the 1975 film version w. Peter O'Toole and Richard
Roundtree)