Jack Kerouac: On the Road (1957)
Agenda for analysis:
Narration: 1st person point of view (limited)
Involved narrator
Narrative irony?
Reliability?
Epiphanies?
Stylistics/Diction: Repetitions/riffs/"mantras"
Enumeration
Compounds
Unusual predicates
Thematics: 'Blow'
'Hip'
'IT'
'Dig'
'Go'/'Gone'
'Knowing time'
'Beat'/'beaten'/Beatific
Oysters/pearls
Food/eating
Falling apart/collapsing
Themes: Memory/experience/writing
Talk/language/lingo
Madness/insight/visions
Music/God
Questing/finding
Sex & love/Male bonding
Weltschmerz
Identity/community
Genre: Autobiography, confession
Novel
Travelogue
Manifesto/document
Contexts: Generationality/Bildungsroman/Bohemianism
Intertextuality/Parody/Elegiac romance
Cult
status/imitation
Ideas
for essays:
Jack
Kerouac: On the Road
(1957)
Describe
Sal Paradise as a narrator. How is Sal's position in relation
to the other characters? In relation to the reader?
What
is the effect of Kerouac's narrative style?
[Words
to characterize it: involved, enthusiastic, hip, a spontaneous
bop prosody, circular motion around a jewel center, unusual compounds
and
predicates, f. ex.: "the raw road night", p. 16; "the dawn of
Jazz America", p. 192] Find and analyse more unusual examples of
micro-level
stylistics.
Consider
Kerouac's sense of beginning and flow.
Consider
Dean Moriarty as a hero figure, as a prophet, as a saviour...
What
role in the narrative is played by the landscape, by the vehicles,
by the road, by motion itself?
Consider
the themes of madness and youth and their linkage with
(sub)cultural activity in the novel.